23 November - 17 December

Various Artists

PAINTING TWICE

Artists: Margaret Ambridge, Thom Buchanan, Liz Butler, Patty Chehade, Genevieve Dawson-Scott, Joe Felber, Anton Hart, Chelsea Lehmann, Sally Parnis, Tricia Ross, Jim Thalassoudis, Chris Thiel and Luke Thurgate.

OPENING | Thursday 23rd November, 6-8pm

Painting is alive and well. To commence a discussion of the boundaries of what painting can be we invite you to join us in celebrating works by this group of emerging, mid-career and established artists.

Anton Hart, ‘White Pointers 2’, 2016, Mixed Media on recycled advertising tarpaulin 1995 mm x 1525 mm. Courtesy the artist.

Anton Hart, ‘White Pointers 3’, 2016, Mixed Media on recycled advertising tarpaulin 1995 mm x 1525 mm. Courtesy the artist.

Sally Parnis, ‘Upturned’, 2016, digital painting. Courtesy the artist.

Sally Parnis, ‘White by candlelight’, 2016, digital painting. Courtesy the artist.

Chelsea Lehmann, ‘Tench’i, 2016, high-res digital infrared scan of painting, printed on A2 etching paper, edition of 4, 45 x 40cm. Courtesy the artist.

Joe Felber, ‘Sculpture’, 2016, acrylic on plywood, 35 cm x 62 cm. Courtesy the artist.

Sally Parnis, ‘Round quince’, 2016, digital painting. Courtesy the artist.

Sally Parnis, ‘Round purple’, 2016, digital painting. Courtesy the artist.

Sally Parnis, ‘Round peaflower’, 2016, digital painting. Courtesy the artist.

Sally Parnis, ‘Round passion flower’, 2016, digital painting. Courtesy the artist.

Sally Parnis, ‘Round hot chocolate’, iPad finger painting detail on aluminium 21cm diameter, 1 of 5

Sally Parnis, ‘Round fullblown peace’, 2016, digital painting. Courtesy the artist.

Sally Parnis, ‘Round citrus blossom’, 2016, digital painting. Courtesy the artist.

Joe Felber, ‘Remember Yves’, 2016, Ultramarine blue pigment on plywood, 52 cm x 52 cm. Courtesy the artist.

Sally Parnis, ‘Princess Margaret Rosebud’, 2016, digital painting. Courtesy the artist.

Tricia Ross, ‘Alla Prima (Lemons)’, 2016, Oil on canvas, 37 x 58 x 5cm. Courtesy the artist.

Tricia Ross, ‘Alla Prima (Kink Bottle)’, 2016, Oil on canvas, 36 x 46 x 5cm. Courtesy the artist.

Liz Butler, ‘Ghost filaments’, 2016, Intaglio monoprint on 300gsm Hahnemuhle rag paper, 110cm x80cm. Courtesy the artist.

Sally Parnis, ‘Full Blown Yellow,’ 2016, digital painting. Courtesy the artist.

Margaret Ambridge, ‘Flower Girl’, 2016, watercolour charcoal on paper, 40cm x 30 cm. Courtesy the artist.

Sally Parnis, ‘Face to the Sun’, 2016, digital painting. Courtesy the artist.

Jim Thalassoudis, ‘Everything is just Dandy’, 2016, oil on linen, 137 x 167 cm, Represented by Nanda Hobbs Contemporary, Sydney.

Chelsea Lehmann, ‘Covering’, 2016, high-res digital scan of painting, printed on A2 etching paper, edition of 4, 48 x 40cm. Courtesy the artist.

Joe Felber, ‘Ciel’, 2016, enamel spray-paint on plywood, 60 cm x 60 cm. Courtesy the artist.

Thom Buchanan, ‘Monument’, 2016, acrylic and oil on canvas, 115x90cm (framed) – Finalist in Whyalla Landscape Prize 2015. Courtesy the artist.

Margaret Ambridge, ‘Bride’, 2016, Charcoal, ink and watercolour on film, 100cm x 80cm. Courtesy the artist.

Sally Parnis, ‘Bougainvillea’, 2016, digital painting. Courtesy the artist.

Luke Thurgate, ‘A Confirmed Pervert’, b2016, oil on board, 35cm diameter. Courtesy the artist.

Thom Buchanan, ‘Liminal’, 2016, acrylic and oil on canvas 120x120cm – Finalist in the inaugural Hadley’s Art Prize 2017. Courtesy the artist.